1.5. A pintura 1.5.2. Principais tipologias morfológico-funcionais, temáticas, artistas e obras – continuação (Rembrandt)

17 Março 2021, 14:00 • TERESA LEONOR MAGALHÃES DO VALE

1.5. A pintura

1.5.2. Principais tipologias morfológico-funcionais, temáticas, artistas e obras – continuação (Rembrandt)

 

BIBLIOGRAFIA

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ACKLEY, Clifford, Rembrandt’s, Journey, Boston, Museum of Fine Arts, 2004

CABANNE, Pierre, Rembrandt, Lisboa, Verbo, 1993

CHAPMAN, H. Perry, Rembrandt’s Self-Portraits. A Study in Seventeenth Century Identity, Princeton, Princeton University Press, 1990

CLARK, Kenneth, Civilisation: a personal view, Nova Iorque, Harper & Row, 1969

CLARK, Kenneth, An Introduction to Rembrandt, Londres, John Murray/Readers Union, 1978

DURHAM, John I., Biblical Rembrandt: Human painter in a Landscape of Faith, Macon, Mercer University Press, 2004

SCHWARTZ, Gary (ed.), The Complete Etchings of Rembrandt Reproduced in Original Size, Nova Iorque, Dover, 1988

TUMPEL, Christian (ed.), Rembrandt. Images and Metaphors, Londres, Haus Books, 2006

VAN DE WETERING, Ernst, The Painter at Work, Berkeley-Los Angeles, University of California Press, 2004

WHITE, Christopher, BUVELOT, Quentin (eds.), Rembrandt by Himself, Londres, National Gallery, [1999]