Memória, livro e sentidos: a construção da presença no Bestiaire d'Amours, de Richard de Fournival
28 Novembro 2017, 14:00 • Margarida Madureira
Memória, livro e sentidos: a construção da presença no Bestiaire d'Amours, de Richard de Fournival.
Reflexão a partir da apresentação do artigo de Rui Oliveira Lopes, "Words for images…".
Bibliografia Passiva
- Camille, Michael (1998). “Sensations of the Page: Imaging Technologies and Medieval Illuminated Manuscripts”, in George Bornstein e Theresa Lynn Tinkle (eds.), The Iconic Page in Manuscript, Print, and Digital Culture. Ann Arbor: The University of Michigan Press, pp.33-53.
- Lopes, Rui Oliveira (2017). "Words for images and images for words: an iconological and scriptural study of the Christian prints in the Chengshi moyuan 程氏墨苑", Word & Image, 33, pp.87-107.
- Rowland, Beryl (1989). “The Art of Memory and the Bestiary”, in Willene B. Clark e Meradith T. McMunn (eds.), Beasts and Birds of the Middle Ages. Philadelphia: University of Pennsylvania Press, pp.12-25.