Sumários
Post 60s 3rd Wave, “Angles of Ascent,” pp. 448-470
26 Março 2020, 10:00 • Don Howard Bialostosky
Continued discussion of Francis’ “Horse in the Dark,” discussed Alena Hairston’s “[Daughters of four generations],” Tyehimba Jess’s “martha promise receives leadbelly, 1935” and “mistress Stella speaks.”
Post 60s 3rd Wave, “Angles of Ascent,” pp. 422-448
24 Março 2020, 10:00 • Don Howard Bialostosky
Discussed Jericho Brown’s “Prayer for the Backhanded,” “Track 4: Reflections” (With background on Diana Ross and the King assassination), and “Summertime,” Michael Sibble Collins’ “Poetry,” Kyle Dargan’s “Search for Robert Hayden” with a look at Robert Hayden’s “Middle Passage, and Dargan’s “Microphone Fiend,” and began discussion of Vievee Francis’ “Horse in the Dark.”
Post 60s 2nd Wave, “Angles of Ascent,” pp. 349-85
19 Março 2020, 10:00 • Don Howard Bialostosky
First online class. Discussed Major Jackson’s “Don Pullen at the Zanzibar Blue Jazz Cafe,”Honoree Fanonne Jeffers “The Gospel of Barbecue” and “The Wife of Lot Before the Fire,” and Carl Phillips’ “As from a Quiver of Arrows.”
Post 60s 2nd Wave, “Angles of Ascent,” pp. 386-420
17 Março 2020, 10:00 • Don Howard Bialostosky
Discussed Reginald Shepherd’s “Orpheus Plays the Bronx,” Patricia Smith’s “Prologue—And Then She Owns You,” and Natasha Tretheway’s “Flounder.”
Class canceled for transition to online instruction
12 Março 2020, 10:00 • Don Howard Bialostosky
Canceled for transition to online instruction.