Sumários
Richard Schechner e os Estudos de Performance. Erika Fischer-Lichter e a estética do performativo.
13 Dezembro 2019, 14:00 • Rui Pina Coelho
Richard Schechner e os Estudos de Performance. Erika Fischer-Lichter e a estética do performativo.
Discussão de: Erving Goffman (“Introduction in The Presentation of Self in Everyday Life”); Erika FS, “Performance Art and Ritual – Bodies in Performance”; Erika Fischer-Lichte, “Performance as Event – Reception as Transformation”; Richard Schechner, “Performers and Spectators transported and transformed”.
6 Dezembro 2019, 14:00 • Rui Pina Coelho
Discussão de: Erving Goffman (“Introduction in The Presentation of Self in Everyday Life”); Erika FS, “Performance Art and Ritual – Bodies in Performance”; Erika Fischer-Lichte, “Performance as Event – Reception as Transformation”; Richard Schechner, “Performers and Spectators transported and transformed”.
Discussão de: Jon McKenzie, “Virtual Reality: Performance, immersion and the thaw”; J. L. Austin, “Lecture How to do Things with words”; W. B. Worthen, “Drama, performativity, and performance”; Milton Singer, “Search for a great tradition in cultural performances” ; Marco Marinis, Dramaturgy of the Spectator"; Elizabeth Klaver, Spectatorial theory in the age of media culture".
29 Novembro 2019, 14:00 • Rui Pina Coelho
Discussão de: Jon McKenzie, “Virtual Reality: Performance, immersion and the thaw”; J. L. Austin, “Lecture How to do Things with words”; W. B. Worthen, “Drama, performativity, and performance”; Milton Singer, “Search for a great tradition in cultural performances” ; Marco Marinis, Dramaturgy of the Spectator"; Elizabeth Klaver, Spectatorial theory in the age of media culture".
Discussão de: Arnold Van Gennep, “The Territorial Passage”; Victor Turner, “Social Dramas and stories about them”; Carol Martin, “Theatres of the Real”; Michael Kirby, “On acting and not-acting”.
22 Novembro 2019, 14:00 • Rui Pina Coelho
Discussão de: Arnold Van Gennep, “The Territorial Passage”; Victor Turner, “Social Dramas and stories about them”; Carol Martin, “Theatres of the Real”; Michael Kirby, “On acting and not-acting”.