Sumários
Discussão de: Johan Huizinga, “Nature and Significance of Play as a Cultural Phenomenon”; Josete Féral, “Performance and Theatricality: The subject demystified”; MARVIN CARI.SON, Theatrical performance: illustration, translation, fulfillment, or supplement".
15 Novembro 2019, 14:00 • Rui Pina Coelho
Discussão de: Johan Huizinga, “Nature and Significance of Play as a Cultural Phenomenon”; Josete Féral, “Performance and Theatricality: The subject demystified”; MARVIN CARI.SON, Theatrical performance: illustration, translation, fulfillment, or supplement".
Discussão de: Kenneth Burke, “Ritual drama as ‘hub’”; Bert O. States, “Performance as metaphor”; Elizabeth Bell, “Performance Studies as women’s work: historical sights/sites/citations from the margin”.
8 Novembro 2019, 14:00 • Rui Pina Coelho
Discussão de: Kenneth Burke, “Ritual drama as ‘hub’”; Bert O. States, “Performance as metaphor”; Elizabeth Bell, “Performance Studies as women’s work: historical sights/sites/citations from the margin”.
Discussão de: Janele Reinelt, “The politics of discourse: performativity meets theatricality”; Josete Féral, “Performance and Theatricality: The subject demystified”; Ronald J. Pelias and James Vanoosting, "A paradigm for performance studies"
25 Outubro 2019, 14:00 • Rui Pina Coelho
Discussão de: Janele Reinelt, “The politics of discourse: performativity meets theatricality”; Josete Féral, “Performance and Theatricality: The subject demystified”; Ronald J. Pelias and James Vanoosting, "A paradigm for performance studies".
Discussão de: Peggy Phelan, “A Ontologia da Performance”; Grahame F. Thompson, “Approaches to ‘performance’: an analysis of terms”.
18 Outubro 2019, 14:00 • Rui Pina Coelho
Discussão de: Peggy Phelan, “A Ontologia da Performance”; Grahame F. Thompson, “Approaches to ‘performance’: an analysis of terms”.
Discussão de: Jean-François Lyotard, “O dente, a palma”; Erika Fischer-Lichte, “A Cultura como Performance”.
11 Outubro 2019, 14:00 • Rui Pina Coelho
Discussão de: Jean-François Lyotard, “O dente, a palma”; Erika Fischer-Lichte, “A Cultura como Performance”