Sumários

Summary writing. 1. TEXT 7: “Hope and Home”, Freeman’s: Best New Writing on Home, ed. Jonathan Freeman, 2017,

31 Outubro 2017, 14:00 Maria Teresa Correia Casal

1. Text 7: “Hope and Home”, Freeman’s: Best New Writing on Home, ed. Jonathan Freeman, 2017, pp. 73-87: reading comprehension; discussion.

2. How to write a summary: revision.

3. Summarising information and expressing personal opinion.


Updated plan:

ENGLISH STRONG VANTAGE (B 2.2) – TP 1 - 2017-18

 Topic: ‘Whose Home? Natives and Migrants’

Timetable: Tuesday & Thursday – 14h00-16h00, Room 3.1

Teacher: Teresa Casal (mcasal@campus.ul.pt)

Office hours: Thu., 16h00-17h00 (Department of English Studies)

 

 

Lesson No.

 

Date

 

 

Contents

 

1

 

19 Sept.

1. Introduction. Aims and themes. Assessment: First written test: 30%; Second written test: 40%; Oral presentation: 15%; Attendance and participation: 15%.

Test 1: 26 October; Test 2: 12 December.

Office hours: Thu., 16h00-17h00, Dept. English.

2. Listening comprehension: “On Being an Unemployed Arts Graduate” & “How to Find Fulfilling Work”. Discussion.

3. Short written assignment (HW).

2

21 Sept.

1. Feedback on written assignment. Identification of areas in need of revision and consolidation.

2. Text 1 - “What is Human Migration?”

3. A Brief History of Migration – Charting Culture: Listening comprehension: What is migration?

4. Identification of key information. Discussion.

 

3

26 Sept.

1. Text 2 - in “Six Shorts”, Freeman’s: Best New Writing on Home, ed. Jonathan Freeman, 2017, pp. 9-13: reading comprehension; discussion.

2. Preparation of role play.

 

4

 

 

28 Sept.

1. Text 2 – Presentation of role play.

2. Text 3 – Bharati Mukherjee, “Imagining Homelands,” in Letters of Transit: Reflections on Exile, Identity, Language, and Loss, ed. André Aciman, New York: The New York Public Library, 1999, pp. 65-86.

2.1. Analysing the essay: identifying key concepts and stories; describing the essay’s structure;

2.2. Discussing the essay; summarizing the key ideas in the discussion; expressing personal opinion.

 

5

 

3 Oct.

Text 3 – Summarising: i) the essay; ii) the responses it generated in class.

 

6

10 Oct.

Text 4: Savia Viegas, “Girls Are to Be Married”, in Let Me Tell You About Quinta, 2011, pp. 34-46 – reading comprehension; discussion.

 

7

12 Oct.

Talk and reading with Indian writer and artist Savia Viegas – Anfiteatro III ­| Theatre 3.

 

8

17 Oct.

Text 4 – Further discussion. Written assignment.

 

9

19 Oct.

1. Text 5 - Jhumpa Lahiri, “A Temporary Matter”, in Interpreter of Maladies, 2000, 1-22 – Reading and interpretation; discussion; engaging creatively with the text.

 

10

 

 

24 Oct.

1. Feedback on earlier written exercise.

2. Text 5 - Jhumpa Lahiri, “A Temporary Matter”, in Interpreter of Maladies, 2000, 1-22: creative written exercise.

11

 

26 Oct.

Written test 1.

 

 

Lesson No.

 

Date

 

 

Contents

12

31 Oct.

1. Text 7: “Hope and Home”, Freeman’s: Best New Writing on Home, ed. Jonathan Freeman, 2017, pp. 73-87: reading comprehension; discussion.

2. How to write a summary: revision.

3. Summarising information and expressing personal opinion.

 

 

13

 

 

2 Nov.

1. Australia’s Stolen Generations: Texts and documentaries:

1.1. Text 9 - Stolen Generations Fact Sheet, July 28, 2007.

1.2. Text 10 - “Closing the Gap in Indigenous Disadvantage,” Council of Australian Governments.

 

14

 7 Nov.

Screening of Philip Noyce’s film Rabbit-Proof Fence (2002). Please be punctual.

15

9 Nov.

Philip Noyce’s film Rabbit-Proof Fence (2002): summary; discussion.

16

 

14 Nov.

Text 11  - Sally Morgan, “Daisy Corunna’s Story”, My Place, 1987 (excerpt) – reading comprehension; discussion.

 

17

 

16 Nov.

Representations of Home symposium – attendance of panel presentations related to themes under discussion in class – Anfiteatro III ­| Theatre 3. Please be punctual.

 

18

21 Nov.

 

1. From Philip Noyce to Sally Morgan and the RHOME presentations: summarising; expressing opinion.

2. Writing back: Text 8 – Aicha Bassry, “Woman Swimming in Thirst”; Sarah Clancy, “Poem for a Migrant Poet Waiting to Make Her Crossing” – reading; discussion; writing back.

19

 

23 Nov.

Embodied selves: Text 12 - John Howard Griffin, Black Like Me [1962] 1996, 1-9 (excerpt) – students’ presentation; reading comprehension; discussion.

 

20

 28 Nov.

Embodied selves: Text 13 - Lucy Caldwell, “Through the Wardrobe”, in Multitudes: Eleven Stories, London: Faber and Faber, 2016, pp. 90-99 – students’ presentation; reading comprehension; discussion.

 

21

 

30 Nov.

 

Embodied selves: summarising and expanding the discussion. Role play.

 

 

22

 

 

5 Dec.

Embodied selves: Text 14 – Matt Haig, Reasons to Stay Alive, 2015, pp. 1-21 - students’ presentation; reading comprehension.

 

 

23

 

 

7 Dec.

Embodied selves: Text 14 – Matt Haig, Reasons to Stay Alive, 2015, pp. 1-21 – discussion.

 

 

24

 

12 Dec.

 

Written test 2.

 

 

25

 

14 Dec.

 

Students’ presentations / interviews.

 

 

26

 

19 Dec.

 

Further students’ presentations / interviews.

 

 

26

 

9 Jan.

 

Meeting for final assessment.

 


Practice essay

30 Outubro 2017, 16:00 David Michael Greer

Writing to hand in on one of the texts so far: students choose. + Set up 4th text Condoms.


Character Review

30 Outubro 2017, 14:00 Tânia Joesephine Gregg Lopes da Silva


Students were given photocopies with guidelines for writing a review on a character in a film.
These guidelines were discussed before students wrote a review on one of the main characters of either "All or Nothing" by Mike Leigh, or "Cowboys and Angels" by David Gleeson.
The review was done in pairs in class and handed in for correction. This exercise was conducted in preparation for the test on November 8th which will focus on film reviews.


Practice essay

30 Outubro 2017, 12:00 David Michael Greer

Writing to hand in on one of the texts so far: students choose. + Set up 4th text Condoms.


Analysis of the film Room

30 Outubro 2017, 10:00 Paula Alexandra Carvalho Alves Rodrigues Horta

Feedback on the in-class essay.

Students' presentations on selected themes of Room
Peer review and teacher's feedback.