Sumários

Imagem e Cultura

14 Fevereiro 2020, 16:00 Mário Vítor Bastos

As imagens e os processos culturais


Definition and characteristics of portraiture

13 Fevereiro 2020, 10:00 Paula Alexandra Carvalho Alves Rodrigues Horta

  • Analysis of iconic images
  • Formal characteristics of painting and photographic portraits
For next class: 

 Read the chapter “Documentary Photography”, pp. 145-163.


Neoliberalismo e democracia contemporânea

12 Fevereiro 2020, 18:00 Diana Vieira de Campos Almeida

Discussão dos capítulos “The Birth of Market Society” e “Stupid Viruses?” de Talking to My Daughter About the Economy: A Brief History of Capitalism, da autoria de Y. Varoufakis.


Chomsky, Noam. Neoliberalism is Destroying our Democracy. The Nation, 02/06/2017. https://www.youtube.com/watch?v=tBzSLu3MZ6I

Varoufakis, Yanis. “The Birth of Market Society”, Talking to My Daughter About the Economy: A Brief History of Capitalism, traduzido por Jacob Moe e Yanis Varoufakis. The Bodley Head, Penguin, 2017, pp. 27-49.

--- “Stupid Viruses?”, pp. 165-199.

Varoufakis and Chomsky discuss Neoliberalism. acTVism Munich, 13/09/2016.

https://www.youtube.com/watch?v=_t5_54GWGdw


Ancoragem e Títulos

12 Fevereiro 2020, 16:00 Mário Vítor Bastos

Ancoragem e Título: sua função na imagem.


Semiotic analysis

11 Fevereiro 2020, 10:00 Paula Alexandra Carvalho Alves Rodrigues Horta

  • Examining the multiple layers of meaning in images
  • Discussion of the changing social and cultural roles of photography.
  • Examining image icons and discussing the historical and social context from which they emerged and gained meaning.

For next class:

1.     Read “The Portrait in Photography”, pp. 101-121.

2.     Select two or three portraits that illustrate the characteristics of portraiture discussed in the chapter.

3.     Illustrate the difference between portrait painting and the photographic portrait.

4.     Find similarities in the way specific artists (e.g. Julia Margaret Cameron, Nadar) portray their subjects.

5.     Compare the approach/aesthetic of two or more photographers mentioned in the chapter (e.g. Bill Brandt, Paul Strand, Walker Evans, Alfred Stieglitz).